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Fall 1998 Online Column
SQUEAK
AND BLAT RAP ON MUSIC TECHNOLOGY
by Dave Williams and Peter Webster
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Dear S and B: I am starting to travel a lot these days and give talks on music software. I understand that you two do the same thing and was wondering if you had any tips about making my load lighter and my work more efficient. It seems I am dragging half my studio around and am always missing some piece of equipment or running into problems with the site I am visiting. Music Roadie. |
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BLAT REPLIES! Dear MR: Well, I hear you. It really can be a "drag" to carry a lot of heavy equipment. I remember the days when I carried around my old Mac SE30 in that tote bag that looked like it might hold three trumpets, a couple of music stands, and the unabridged Arbans method book! Thankfully, equipment has really gotten lighter and lighter, while growing in power. Software that supports portable computing is improving too. I'll let Squeak talk about hardware items like sound devices, portable computers, and the like. I'll try my hand at some software tips that might be useful for you. My goal is always to head off with everything self-contained and ready to go. In other words, I hate to rely on my host for such things as a copy of Finale or PowerPoint. This seems obvious I suppose, but never assume anything. Even if the folks you are visiting insist that they have "all you need," assume that they do not and you will have to supply everything yourself. Let's start with the issue of backup. I have all my
software installed and running on my PowerBook, but I also try
to back up my entire system on a Zip disk. I have a Zip
drive installed inside my PowerBook where my old floppy drive
used to be and I make sure I bring Zip disks that have my original
work and copies of my application software as well. I even
have Norton Utilities (http://www.symantec.com/nu/index.html)
installed on a Zip tools disk, together with a full working copy
of my system software in case something goes wrong. This
way, if my entire hard disk dies, I can rebuild what I need.
It might also be prudent to pack your original system software
CD. I make sure I pack my modem and ethernet cables in case I need something from home. I try to put important files on my server at school so that I can download things if I need them. I can't count the number of times on the road I have needed something from the Internet from my home server for a special need that my visit requires!
Squeak will give good advice about MIDI sound, but I will
add the idea of software-based MIDI solutions. If you can't
afford to carry a compact MIDI sound device, don't forget the
power of QuickTime. (http://www.apple.com/quicktime)
Each new version of the QuickTime extensions for Mac and Wintel
machines offers a wonderful way to get your laptop machine to
render MIDI files without a MIDI device. I am always sure
I have the ability to route all my MIDI applications to the built-in
MIDI sounds to avoid disappointment with supplied MIDI equipment. Always be sure to bring a digital copy of all your handout materials. You may run out of the copies you bring and it may be possible to give the file to your host for printing at the place you are visiting. (Install common print drivers on your portable computer so you can print directly from your own machine!) By the way, if you really get stuck for a hardcopy of a document, you can always fax a copy to a local fax machine by using your installed fax software that came with your built-in modem! It's very hard to pack manuals for the software you demonstrate, so it's a good idea to include as many software solutions for reference as you can. You may think you know a program cold, but there are always some questions asked that may stump you. Most major music software vendors now include on-line documentation or manuals on CDs. Be sure to install the help files or pack the CDs in your CD case (you do have a CD case, right?)
If all fails, be sure to have a Plan B-overheads (or at least a copy of your presentation). Never set out to give a talk somewhere without materials that can be used in case of TTF (Total Technology Failure). Blat |
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Here's what I have so far for my setup and then I'll follow with what I still need to add to my system to make it more useable. Blat covered the software in his usually attention to detail, so I'll not tackle that part of the equation.
What would I still like to add?
One last hardware element that needs to be discussed is the video projection. Best is to request SVGA-quality, color video projector (where the projection and the lighting is all built into one, portable unit). Ideal is XGA projection with the highest resolution. The lowest (and poorest) projection is from a VGA (256 colors, low resolution) LCD plate that sits on top of an overhead projector. Avoid this if at all possible. The latest Mac and PC laptops work great with SVGA quality video projection. Early Mac laptops require a special Mac cable to connect to the display projector. They are making video projectors light and portable these days so, if youíve got the money to purchase one ($4000+), you can even take that on the road with you. We covered projectors in more depth in one of our previous columns. Put this hardware with Blat's repertoire of software, and you are ready to take your music computing any where, any time! Squeak. Note 1. I like Blat's tip about a back up of overhead transparencies. Another idea Iíve thought of doing for a backup, especially if you are showing Internet browsing or showing off software, is to make a video of your demonstration segments and bring the video along. You can always find a VCR in a pinch. Note 2. I make all my handouts
as web pages. I just print out the web pages when I need
hardcopy for handouts. If I run out, I give people the
web link so they can retrieve the copy from home or their lab.
Then, the online version of my handouts has hotlinks to other
sites. |