Books - Reference List

1995 Recording Industry Sourcebook. Emeryville, CA: Cardinal Business Media Inc.; 1996.
Rec #: 63
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $79.95
Abstract:
With thousands of updated listings in over 50 categories, Sourcebook offers comprehensive directories of record labels, producers, managers, distributors, attorneys, equipment suppliers, music video companies, media contacts, and much more. Entries list contact names, titles, phone and fax numbers, styles of music preferred, and information on whether or not they'll accept unsolicitied demos. Also check out Sourcebase, featuring our unparalleled database on disk, and Sourcebase CD-ROM on CD-ROM
1997 Mix Master Directory. Emeryville, CA: Cardinal Business Media Inc.; 1996.
Rec #: 64
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $24.95
Abstract:
Our annual "master list" of recording facilities and services is an indispensible resource guide filled with thousands of contacts in the pro audio and music production industries. Listings include: North American audio recording and video production facilities; sound reinforcement and remote-recording companies; mastering, duplication and CD-replication services; independent engineers and producers; studio designers and suppliers; recording schools, seminars and programs; and equipment manufacturers (cross-referenced by category). Also lists industry organizations, trade shows and conferences.
Adams, Robert Train. Electronic Music Composition for Beginners. 2nd ed ed. Madison, WI: Brown & Benchmark Publishers c1992288 pages.
Rec #: 108
Call Number: Updated 1997; information provided by publisher
Notes: Not in current catalog.
Abstract:
Chapters include: Instrument Design, Recording and Sequencing, Electronic Composition. Appendixes include: Waveforms and harmonic spectra; Frequencies of Equal Tempered Scales; The MIDI Specification; Music hardware and software; Flowcharts, Pitch Panels and Parameter Charts; Conventional Music Notation; Glossary; and Bibliography
Adams, Steven and Mauricio, Dennis. FUNdamentals of Music Technology: A Course of Study for Secondary Schools. Agoura, CA: Consultant Help; 1992.
Rec #: 115
Call Number: Updated 1997; information obtained from author.
Notes: Cost: $150.00
Abstract:
A comprehensive curriculum for integrating technology into a secondary school music class setting written with the technology novice in mind. What the user actually purchases is a site license for unlimitied photocopying privileges at one particular school or studio, thus avoiding the on-going costs of individual student textbooks and workbooks. Its format of 8.5" x 11" paper in a 3-ring binder facilitates the photocopying. Each unit of the book consists of all the material needed to present the course. Topics include: History of Electronic Music, Physics of Sound, Subtractive Synthesis, Computers and Digital Sampling, Digital Synthesis: FM and Other Approaches, Microphone & Sound System Basics, Multitrack Recording, Signal Processing, MIDI, Keyboard Features, Drum Machines and Sequencing.

Reviews: Electronic Musician, April 1992, "MIDI Enters the Classroom"; Music and Computers, Mach/April 1997, "Compuers in Education"
Anderton, Craig. Do-It-Yourself Projects for Guitars. San Francisco, CA: Miller Freeman Books; 1995; ISBN: 0-87930-359-x.
Rec #: 103
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $19.95
Abstract:
For guitarists who don't want to sound like everyone else, or who aren't satisfied with a setup that's less than optimum, this step-by-step guide describes the principles, projects, and tools for personalizing sound quality and minimizing electronic problems.
Ashmann, Lisa. 500 Songwriting Ideas (For Brave and Passionate People). Emeryville, CA: Cardinal Business Media Inc.; 1997.
Rec #: 65
Call Number: Updated 1997; information provided by publisher
Notes: Cst: $22.95
Abstract:
Ever had a writer's block? Ever thought you had an award-winning song right on the tipof your tounge and then lost it? Ever wondered if your overflowing spring of ideas will ever dry up? Well, who hasn't? What this book does is show you how to get past that point. Inlcuded are suggestions for relaxation, visualization techniques, and evenplaces to find song ideas that you never woud have dreamed of in a million years!
. Baragary, Ray. The Billboard Guide to Home Recording. 2nd ed., rev and enlarged ed. New York, NY: Watson-Guptill Publications c1996288 pages, 100 B&W illustrations, index. ISBN: 0-8230-8300-4.
Rec #: 78
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $19.95
Abstract:
This complete reference on home recording equipment and techniques takes the professional or amatuer musician step-by-step through the process of putting together a studio and then making the best possible recordings.
Bartle, Barton K. Computer Software in Music and Music Education: A Guide. Lanham, MD: The Scarecrow Press Inc.; 1987; ISBN: 0-8108-2056-0.
Rec #: 86
Call Number: Updated 1998; information verified by publisher
Notes: Cost: $31.00
Abstract:
Short reviews of various computer software for use in music.
Bates, John. The Synthesizer. New York, NY: Oxford University Press; 1988.
Rec #: 193
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $11.95
Abstract:
This is a fascinating and thorough exploration of the most important and influential instrument since the piano, from the first unwieldly valve instruments of the 1920s to the highly accessible microchip keyboards of today and the sophisticated equipment used by experts. Throughout the book are projects that can be carried out on either a synthesizer or a microcomputer.
Berz, William L. and Bowman, Judith. From Research to the Music Classroom: Applications of Research in Music Technology. Reston, VA: Music Educators National Conference; 1994; ISBN: 1-56545-026-4.
Rec #: 114
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $15.00
Abstract:
A summary of research findings in instructional technology that relate to music education, with practical teaching methods and suggestions. The authors discuss computer-assisted instruction, electronic instruments, hypertext and hypermedia, artifical intelligence, robotics and virtual reality.
Borwick, John, editor. Sound Recording Practice. 4th ed ed. New York, NY: Oxford University Press c1995600 pages; 46 b&w photos, 200 drawings. ISBN: 816381-9.
Rec #: 190
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $75.00
Abstract:
In this book, a broad range of contributors--musicians, acousticians, electronic engineers, and broadcasters-- share their specialized expertise on the equipment used to record, transmit, and reproduce speech and music, and the operational techniques that have evolved over half a century in the sound recording industry. The fourth edition emphasizes the array of new technologies and techniques such as rapid advances in recording techniques, computer-controlled equipment, new digital recording formats, and the proliferation of consumer audio/video media. Addressing the user rather than the designer or manufacturer, the book offers a stimulating, informative and comprehensive guide to each aspect of recording.
Brinkman, Alexander R. Pascal Programming for Music Research. Chicago, IL: University of Chicago Press c1989964 pages, size 7x10. ISBN: 0-226-07507-9.
Rec #: 179
Call Number: Updated 2002; information obtained from publisher
Notes: Cost: $45.00
Abstract:
For those who wish to develop the programming skills necessary for conducting computer-assisted music research, particularly in the fields of music theory and musicology. Many of the programming techniques discussed are also applicable to CAI, composition and musical synthesis. The programs and techniques can be implemented on personal computers or larger computers using standard Pascal compilers. Contains a complete exposition of Pascal and a thorough introduction to data structures.
Butler, David. The Musician's Guide to Perception and Cognition. New York, NY: Schirmer Books; 1992; ISBN: 0-02-870341-3.
Rec #: 175
Call Number: Updated 1996; information obtained from publisher.
Notes: Cost: $63.00
Abstract:
Written from a musician's point of view, this book describes what we currently know of the psychoacoustical features and the cognitive aspects of musical sound. It briefly reviews experimental procedures and philosophies, and provides a concise introduction to acoustics. It then reviews the psychophysical literature related to the sensory attributes of pitch, timbre, loudness, and time and space. The book continues with a review of the cognitive literature on pitch, timbre, time and the development of cognitive awareness from prenatal responses to adult testing. Each chapter features a summary and a list of problems. The book includes extensive notes and references, a glossary defining terms found in the literature as well as problematic musical terms, and valuable appendixes. Critical discussions are augmented by 63 listening examples discussed at length in the text, and on the accompanying CD.
Butler, Mimi. The Complete Guide to Running a Private Music Studio. Haddonfield, NJ: The Complete Guide to Running a Private Music Studio c1999.
Rec #: 1198
Call Number: updated 2002; information provided by publisher
Notes: Cost (individual): $29.95
Abstract:
This book will show how to expand or start a private music studio, choose a location, market the business, keep track of income and expenses for taxes, conduct an initial interview, schedule students, bill your students, schedule make-ups, write key and monthly letters, evaluate students, offer parent/teacher conferences, organize a recital, become a mentor or find one and answer important questions.
Carter, Walter. The Songwriters Guide to Collaboration. 2nd ed, rev and expanded ed. Emeryville, CA: Cardinal Business Media Inc.; 1997;102 pp.
Rec #: 189
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $24.95
Abstract:
The updated version of this previously published book will tell all you need to know about beconing the next Lennon and McCartney. You'll learn exactly what to expect when working with another songwriter and how to make your co-writing arrangement work. Carter offers an insightful look at how to find a partner, sharing success and rejection, where to get ideas, and much more.
Cary, Tristam. Dictionary of Musical Technology. Westport, CT: Greenwood Publishing Group Inc. c1992576 pages. ISBN: 0-313-28694-9.
Rec #: 99
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $85.00
Abstract:
This encyclopedia is the first comprehensive book on the technology of music, written by one of the world's leading experts on electronic music. Its 600 copiously illustrated main entries and 200 subsidiary ones cover an immense musical field.
Casabona and Frederick. Beginning SynthesizerDarter, Tom, editor. Van Nuys, CA: Alfred Publishing Co. Inc.; 1986;96 pages.
Rec #: 77
Call Number: Updated 1997; information obtained from publisher.
Notes: Cost: $12.95
Abstract:
Step-by-step instructions on topics such as Using Presets, Performance Controls, Editing Presets, Editing in Performance -- over 100 musical examples, diagrams and exercises in programming that will assist the novice or experienced musician achieve a more musical performance. Available in one complete book or two special focus guides (Playing Synthesizers and Programming Synthesizers).
---. Using MIDI. Van Nuys, CA: Alfred Publishing Co. Inc.
Rec #: 203
Call Number: Updated 1997; information obtained from publisher.
Abstract:
A comprehensive MIDI guide in one complete book or 3 Special Focus Guides. Topics include What is MIDI, Basic MIDI Applications, and Advanced MIDI Applications.
Colbeck, Julian. Keyfax Omnibus Edition. Emerville, CA: Cardinal Business Media Inc.; 1996.
Rec #: 134
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $24.95
Abstract:
This compendium of the previous 5-volumes in the Keyfax series adds tons of new historical information from the world's foremost expert on the classic synths. The top 100 keyboards of all time are profiled, with specific design history and technical information, original and current value, and specs on features as polyphony, effects, storage capabilities, and options. The book also includes company profiles of the leading 13 synth manufacturers, plus loads of never before published stories on how these classic machines were conceived, designed and built, and the people behind them. Finally, Colbeck povides technical specifications for hundreds of other synths, making Keyfax Omnibus Edition a buyers guide like no other.
Common Sense and the Music Business. Cincinnati, OH: Positive Feedback Communications; 1995.
Rec #: 81
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $19.95
Abstract:
A book presents the best advice you'll ever recieve about starting your career in the music business.
Cope, David. Computers and Musical Style. Madison, WI: A-R Editions Inc.; 1991;246 pages(Strawn, John. The Computer Music and Digital Audio Series; v. 6). ISBN: 0-89579-256-7.
Rec #: 87
Call Number: Updated 1998; information obtained from publisher.
Notes: Cost: $45.95
Abstract:
On the basis of his research in artificial intelligence, composer David Cope demonstrates that computers can compose good music. Cope furnishes a step-by-step guide for analyzing and replicating musical style using his computer program, EMI (Experiments in Musical Intelligence). His computer compositions in the style of Bach, Mozart, Stravinsky, and others sound new and yet alarmingly familiar. He then shows how today's composers can use EMI.
Cope, David. Experiments in Musical Intelligence. Madison, WI: A-R Editions Inc. c1996(Computer Music and Digital Audio Series; v. Vol. 12). ISBN: 0-89579-314-8.
Rec #: 111
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $49.95 softcover with CD-ROM
Abstract:
Experiments in Musical Intelligence extends the concepts presented in Cope's previous book Computers and Music Style (vol. 6 in this series). In this new book, Cope describes the basic principles of anlysis, pattern matching, object orientation, and the natural language processing that are incorporated in the author's well-known EMI project. This system makes it possible to generate new compositions in the styles of various composers, from Bach and Mozart to Prokofiev and Scott Joplin. The accompanying CD-ROM contains the code and documentation for the program SARA (Simple Analytic Recombinant Algorithm), which produces new composition in the style of the music in its database.
Crombie, David. Synthesizer and Electronic Keyboard Handbook. New York, NY: Alfred Publishing Co. Inc.; 1984; ISBN: 0-394-72711-8.
Rec #: 194
Call Number: updated 1997; information obtained from publisher
Notes: Cost: $13.95
Danziger, Robert. The Musical Ascent of Herman Being. Modest, CA: Jordan Press.
Rec #: 1162
Call Number: updated 2002; information obtained from Larry Peterson
Abstract:
It is a novel that includes love, sex, and some minor violence but it is about how to listen to classical music. The major thrust of the book is to encourage repetitive listening.
Davis, Deta S. Computer Applications in Music: A Bibliography, Supplement 1. Madison, WI: A-R Editions Inc; 1992;597 pages(Strawn, John. The Computer Music and Digital Audio Series; v. 10). ISBN: 0-89579-267-2.
Rec #: 84
Call Number: Updated 1998; information obtained from publisher.
Notes: Cost: $79.95 hardcover
Abstract:
Supplement 1 continues Ms. Davis's chronicle of computer music publications, and includes 4287 citations from 1986-89. Short abstracts, a subject index, and an author/title index are included. The entries are international and include many disciplines including computer science, digital audio, synthesis, MIDI, education, aesthetics, and psychology.
De Santis, Jayce. How to Ru a Recording Session. Emeryville, CA: Cardinal Business Media Inc.; 1997.
Rec #: 123
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $22/95
Abstract:
This book will take you through the often-puzzling process of a recording session through a better understanding of the roles and responsibilities of thepeople involved. Drawing on his own experience (and blunders and gaffs!), he writes so that both the beginners and experienced professionals can gain a new and fullere understanding of everything involved from choosing songs and a studio to planning the actual session to what to do with the final product. He also explains the duties of the engineer, the producer, and the artist in a clear, relational way. A handy glossary of terms and dozens of resources are also provided for your benefit.
Detels, Claire. Music in the Western Tradition. Mountain View, CA: Mayfield Publishing Company; 1998; ISBN: 0-7674-0015-1.
Rec #: 165
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $6.95
Abstract:
An introduction to the history and appreciation of music. Since it is very short (80 pages), it is an ideal supplement to a course built around another type of textbook or computer program. There are three CDs or tapes to accompany Detels, showcasing selections for examples of musical forms.
Dobson, Richard, Bath College of Higher Education. A Dictionary of Electronic and Computer Music Technology: Instruments, Terms, Techniques. New York, NY: Oxford University Press c1992238 pages; figures. ISBN: 311344-9.
Rec #: 98
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $45.00
Abstract:
This book is a clear and concise overview of electronic and computer music technology. Assuming no prior knowledge, the book introduces and explains the mass of technical information in comprehensive A-Z entries that deal with common principles and techniques, such as those on the computer, electronic components, and synthesis. Specific products are then referred to as examples of a particular approach. There are also entries on major commercial instruments, and individuals and companies whose work has been central to the development of electronnic instruments and their music. Apendices provide tables on binary and hexadecimal conversion, MIDI commands, and scale and frequency. The most comprehensive and up-to-date reference of its kind, this book will be indispensible to all practitioners, students and lovers of electronic music.
Dodge, Charles. Computer Music. New York, NY: Schirmer Books; 1985; ISBN: 0-02-873100-x.
Rec #: 85
Call Number: Updated 1996; information provided by publisher
Notes: Cost: $42.00
Abstract:
Topics include synthesis, composition and performance.
Editors of Mix. Music Producsers: Conversations with Today's Top Record Makers. Emeryville, CA: Cardinal Business Media Inc.; 1992.
Rec #: 168
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $17.95
Abstract:
Twenty-four producers including Don Dixon (R.E.M.), Bruce Fairbairn (Aerosmith), Daniel Lanois (U2), Bill Laswell (P.I.L.), Jeff Lynne (Tom Petty), George Martin (Beatles), Hugh Padgham (Sting), Phil Ramone (Billy Joel), Rick Rubin (Red Hot Chili Peppers), Don Was (Bonnie Raitt), and 13 others discuss how they got started, how they mediate between labels and artists, what equipment they prefer, analog/digital format decisions, how they "build" a mix, and much more. These insights, plus personal stories about conducting sessions with today's biggest names, makes this a valuable insider's guide to making records.
Enjoyment of Music webBOOK [Web Page]. Available at: http://www.wwnorton.com/enjoy.
Rec #: 1163
Call Number: updated 2002
Abstract:
password = music appreciation
Everest, F. Alton. Criical Listening and Auditory Perception: An AudioTraining Course. Emeryville, CA: Cardinal Business Media Inc.; 1996;220 pp plus five CDs.
Rec #: 91
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $349.95
Abstract:
MixBooks has taken two of the audio fields' most detailed audio manuscripts and compiled them into one volume of the most comprehensive courses ever to sharpen your skills of evaluating sound quality. Accompanied by 5 CDs that narrate the entire course for you and packed with hundreds of illustrations to elaborate on the text, Critical Listening will leave you feeling more confident in your auditory skills.
---. Critical Listening and Auditory Perception: An Audio Training Course. Emeryville, CA: Cardinal Business Media Inc.; 1996.
Rec #: 92
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $250.00
Abstract:
MixBooks has taken 2 of the audio fields' most detailed audio manuscripts and compiled them into one volume of the most comprehensive courses ever to sharpen your skills of evaluating sound quality. Accompanied by 5 CDs that narrate the entire course for you and packed with hundreds of illustrations to elaborate on the text, Critical Listening will leave you feeling more confident in your auditory skills.
Experiencing Music Technology: Online Web Site [Web Page]. Available at: http://www.orat.ilstu.edu/emtbook/.
Rec #: 1281
Call Number: updated 2002; information obtained from website
Abstract:
Internet support for the textbook and CD-ROM companion Experiencing Music Technology (2nd Edition) by David B. Williams and Peter R. Webster, Published by Wadsworth Publishing
Fink, Michael. Inside the Music Industry. 2nd ed. ed. New York, NY: Schirmer Books c1996. ISBN: 0-02-870764-8.
Rec #: 127
Call Number: Updated 1996; information provided by publisher
Notes: Cost: $35.00
Abstract:
In its first edition this book won the 1990 ASCAP-Deems Taylor Award. The second edition examines every aspect of the music industry, exploring the ways the business has changed in the years since the previous edition, including compact discs, digital recording technology and changes in copyright law.
Fisher, Jeffery P. How to Make Money Scoring Soundtracks and Jingles. Emeryville, CA: Cardinal Business Media Inc.; 1997.
Rec #: 122
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $34.95
Abstract:
There is a huge demand for professional compositions for movies, TV, video, radio and other multimedia formats. This authoritative guide will show you exactly how to write and sell your origianl soundtrack music and jingles. Find out how you can take advantage of this deman and make a successful career for yourself.
Franz, David. Producing in the Home Studio with PRO TOOLS. Boston, MA: Berklee Press. ISBN: 0-634-03221-6.
Rec #: 1214
Call Number: 2002; information provided by email
Abstract:
Free Pro Tools CD included.
Fraser. Digital Delays and How to Use Them. Van Nuys, CA: Alfred Publishing Co. Inc.
Rec #: 101
Call Number: Updated 1997; information obtained from publisher.
Abstract:
This useful hands-on text clearly explains DDL signal processors and how they can be applied to recording or live performance situations. Discusss the basic features common to most digital delays and provides programming information. Also includes two invaluable charts: the first to convert beats per minute to milliseconds, the second converts milliseconds to click track.
Gibson, Bill. The AudioProHome Recording Course. Emeryville, CA: Cardinal Business Media Inc.; 1996.
Rec #: 75
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $59.95
Abstract:
This MixBooks publication will familiarize musicians with the fundamentals of studio recording using explanations and examples that are easy to understand and enlightening for the beginning and intermediate student. Accompanied by 2 CDs full of information and audio examples and hundreds of illustrations to make learning as painless as possible, AudioPro includes all the basics on the mixer, signal processing, microphones, guitar/sounds, acoustic drums/percussion and synchronization/drum machines, plus and invaluable glossary of the most common terms used in recording.
Gibson, David. The Art of Mixing. Emeryville, CA: Cardinal Business Media Inc.; 1997.
Rec #: 72
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $49.95
Abstract:
This expansive book uses visual representation of imaging (sounds between two speakers) to explain and show how to mix every syle of music in the world, from big band to hip-hop. Gibson has mapped out everything that can be done to create various effects in a mix. It's an in-depth exploration into the aesthetics of what makes a great mix in a simple, visual manner.
. Greenwald, Ted. The Musicians Home Recording Handbook. San Francisco, CA: Miller Freeman Books; 1998;Softcover, 176 pages, 60 line drawings. ISBN: 0-87930-237-2.
Rec #: 176
Call Number: Updated 1998; information provided by publisher
Notes: Cost $19.95
Abstract:
Easy to follow, practical guide to setting up a home recording studio.
Harp, David. Instant Blues Harmonica. Petaluma, CA: Castalia Publications.
Rec #: 129
Call Number: Updated 1996; information verified by publisher.
Notes: Cost: $14.95
Abstract:
This 62-page book and 93-minute tape is the most thorough and effective harp method around. Developed by a psychologist famous for his inspirational teaching methods, this package has taughtover 100,000people how to blow the blues.If you've ever wanted to play the harmonica, this is the course for you.
---. Make Me Musical Instant Harmonica. Petaluma, CA: Castalia Publications; 1995.
Rec #: 209
Call Number: Updated 1996; information obtained from publisher
Notes: Cost: $14.95
Abstract:
David Harp's wonderful book and cassette course gives kids the confidence they need to grasp the principles of music by making it fun. Harp's methods will have your children playing familiar children's songs right off the bat.
Haus, Goffredo, editor. Music Processing. Madison, WI: A-R Editions Inc.409 pages(Strawn, John. The Computer Music and Digital Audio Series; v. 9). ISBN: 0-89579-268-0.
Rec #: 167
Call Number: Updated 1997; information obtained from publisher.
Notes: Cost: $39.95 (softcover)
Abstract:
At last, a book that guides readers through the existing literature on music processing while also introducing comprehensive, in-depth reports from leading figures in the field concerning current research, method, technology and resources. Included are special new reports from research centers in Pittsburgh (Carnegie Mellon University), Palo Alto (CCRMA), Paris (IRCAM), and Milan (LIM). No other resource brings together so much useful and up-to-date information on music processing.
Hewlett, Walter B. and Correia, Edmund Jr. Databases of Musical Information: The MuseData File Format (Draft 3). Menlo Park, CA: Center for Computer Assisted Research in the Humanities; 1995; ISBN: 0-936943-11-4.
Rec #: 95
Call Number: Updated 1996; information obtained from publisher
Notes: Cost: $15.00
Abstract:
For those who need detailed information on the file formats used in the creation and management of the CCARH databases, this publication will be useful. Representative musical examples are included.
Hewlett, Walter B. and Selfridge-Field, Eleanor. Handbook of Musical Codes. Menlo Park, CA: Center for Computer Assisted Research in the Humanities.
Rec #: 120
Call Number: Updated 1996; information provided by publisher
Abstract:
An upcoming publication that will include an appendix that gives as complete as possible a listing of musical codes developed by individuals for specific research tasks.
Higgins, William. Resource Guide to Computer Applications in Music Education. Champaign, IL: Electronic Courseware Systems Inc. (distributor); 1991.
Rec #: 185
Call Number: Updated 1998; information obtained from distributor.
Notes: Cost: $22.95
Abstract:
A comprehensive listing of publishers, hardware and software presented in a thorough logical manner.
Hill, Brad. The Virtual Musician. New York, NY: Schirmer Books c1996. ISBN: 0-02-864583-9.
Rec #: 206
Call Number: Updated 1996; information provided by publisher
Notes: Cost: $30.00
Abstract:
The best and only guide to music resources on-line. This is the first book addfressed to musicians about the many resources availabe on-line, from chat groups to free programs, vendor support, music-business information, networking and even tour and fan-club information. It covers all the major on-line services, as well as the Internet itself. From the equipment you need through the basics of surfing the net, this book is an entertaining and informative guide for everyone from the first-time user to the old pro. Sample screens, including front end navigros, file lists, conference transcripts, and message posts, specific tips from working musicians, plus interesting anecdotes will make this the ideal companion for the desktop musician.
Hurtig, Brent. Multi-Track Recording for Musicians. Van Nuys, CA: Alfred Publishing Co. Inc.; 1988. ISBN: 0-88284-355-9.
Rec #: 163
Call Number: Updated 1997; information obtained from publisher
Notes: Cost: $17.95
Abstract:
An up-to-date volume designed to take you from set-up to mixdown. Includes the fundamentals of recording, understanding your equipment, the MIDI studio, Automation, Digital Equipment and much more. Also includes a hands-on session that takes you step-by-step through the recording process. Fully illustrated.
Jacobson, Linda. CyberArts. San Francisco, CA: Miller Freeman Books; 1992;336 pages, 30 color photos, 100 B&W photos. ISBN: 0-87930-253-4.
Rec #: 94
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $24.95
Abstract:
Fifty leading multimedia visionaries explore how interactive digital technologies are revolutionizing music, art, graphics, animation, 3D sound, virtual reality, video and film, toys and games.
Jungleib, Stanley. General MIDI. Madison, WI: A-R Editions Inc. c1995(Computer Music and Digital Audio Series; v. Vol. 11). ISBN: 0-89579-310-5.
Rec #: 116
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $27.95 softcover
Abstract:
Genral MIDI is the public's best chance yet to benefit from what has, until now, been a specialized realm. Written by a recognized MIDI pioneer and General MIDI founder, General MIDI is required reading for anyone interested in MIDI and future directions in electronic music.

General MIDI exhaustively covers all hases of GM and related practices, including Roland General Standard (GS) and Microsoft Base-level and Extended modes. It also includes extensive listings of equipment and manufacturers, Roland-supplied Sound Canvas synthesizer parameter tables, and practice exercises that emphasizepractical objectives. The accompanying floppy disk continas multiple professional MIDI files examples and MIDI utilities.
Kaye, Buddy. Method Songwriting. Petaluma, CA: Castalia Publications.
Rec #: 210
Call Number: Updated 1996; information verified by publisher.
Notes: Cost: $30.00
Abstract:
Unparalleled audio textbook taking you from concept to completion. For rock, Country, Gospel, Soul, Alternative, allsongwriters. Each step explained clearly using examples and strategies in 39 audio chanpters containing success formulas and easy-to-follow directions. The only songwriting course you'll ever need. Fastest and easiest method there is.
Keyboard Magazine. Digital Home Recording. San Francisco, CA: Miller Freeman Books; 1998; ISBN: 0-87930-380-8.
Rec #: 102
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $19.95
Abstract:
This how-to guide helps musicians of all levels use digital technology to make CD-quality audio recording cost effective at home. This practical book compares the pros and cons of digital to traditional analog methods, and discusses the implications of emerging technology for home music production.
The Lead Master. Petaluma, CA: Castalia Publications; 1995.
Rec #: 213
Call Number: Updated 1996; information provided by publisher
Notes: Cost: $8.95
Abstract:
These fret markers are removable stickers that go on the guitar neck, right next to the fret. They make it easy to visualize the neck when learning to play lead. Four sets available: Notes of the Neck; C major/a minor; c major pentatonic/ a minor pentatonic; G major pentatonic/e minor pentatonic.
Mandell, Jim. The Studio Business Book. rev ed. ed. Emeryville, CA: Cardinal Business Media Inc.; 1994;288 pp. ISBN: 0-918371-04-x.
Rec #: 192
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $34.95
Abstract:
Need in-depth, detailed, specific information on all aspects of putting together and managing a recording studio? Then this book is for you. This updated MixBooks edition of the informative, wide-ranging guide presens all you need to know about writing a buiness plan; getting funding; buying equipment; determining expenses and rates; bidding on projects; developing new income and contacts; advertising and PR; scheduling; managing, hiring and firing personnel; nd more. The Studio Business Book also includes information on the legal debate over home project studios and how to put together an employee handbook, plus a reference guide to studio terms and technology, a list of industry organizations, and a recommended reading list.
Manning, P. Electronic and Computer Music. 2nd ed ed. New York, NY: Oxford University Press; 1993;384 pages, 8 pp plates, 65 in-text figures. ISBN: 816328-0.
Rec #: 106
Call Number: updated 1997; information provided by publisher
Notes: Cost: $22.00
Abstract:
This is a revised and expanded edition of Peter Manning's classic introduction to electronic and computer music, dealing with its development from its birth to present day. The section on the evolution of computer music's evolution from the early experiements with large commercial computers to the advanced music workstations of today has been significantly expanded fromthe first edition to take account of the rapid development of this technology since the early 1980's. A bibliography and extensive discography are included.
Mason, Robert M. Modern Methods of Music Analysis Using Computers. Peterborough, NH: Schoolhouse Press; 1985;299 pages. ISBN: 0-9615669-0-6.
Rec #: 160
Call Number: Updated 1998; information obtained from publisher.
Notes: Cost: $45.50 postpaid
Abstract:
Recommended for small music libraries (in Craig Lister, The Musical Microcomputer), this pre-MIDI text introduces many nontraditional concepts and algorithms to music theory. Comparison of Fig 7.7 with Fig 6.1 of Joel Lester's 1989 book, Between Modes and Keys, shows that Mason's original theory of tonality is right-on-target!
Only a few copies of the first edition remain!

Additional hardware: x/y plotter
Reviews: Association for Computing Machinery (ACM) Computing Review, Nov 1986, 8611-0990; Music Library Association Notes, Sept 1986; Retirement Life, Dec 1986
McHard, James. The Future of Modern Music: American-Book Publishing Group. ISBN: 1-930586-24-8.
Rec #: 1159
Call Number: updated 2002; information obtained from pulisher
Abstract:
Through a skilled analysis of prominent composers ranging from Debussy to Messaien to Xenakis, this book stimulates the reader to be the listener and to search the existing world of art music to listern and to discover the many wonders modern music offers. The author develops the tracing fo the development of sound-based composition as an attitude opposed to concentration soleley on method or algorithsm, concluding that such music is listenable and understandable.

Reviews: Book is available for review upon request.
Mitchell, John. How to Tune your Guitar. Petaluma, CA: Castalia Publications; 1990.
Rec #: 124
Call Number: Updated 1996; information verified by publisher
Notes: Cost: $5.00
Abstract:
Even to the most seasoned guitarist, tuning can seem intimidating at times. This handbook, complete with detailed instructions, photos and diagrams, makes tuning much easier. Comprehensiveto everyone. Shows several tuning methods, helpful even to those who already have some know-how.
Molenda, Michael, editor. Making the Ultimate Demo. Emeryville, CA: Cardinal Business Media Inc.; 1993;128 pp.
Rec #: 145
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $17.95
Abstract:
This book will teach you how to record and market a demo tape -- a critical step toward gaining the exposure you want and need for your music. The book is designed to help you in every stage of the process, from setting up your studio through recording and mixing to getting your tape into the right industry hands. You'll learn how to record killer vocal and instrumental tracks, use signal processing like the pros, and make intelligent mixdown decisions. Once your ultimate demo is "in the can," you'll know how to release and promote your recording on a budget and approach record labels without wasting your time. Packed with proven techniques and tips from industry veterans,this book will improve both the sound of your recordings and your prospects for success in the music business.
The MTNA Guide to Music Instruction Software. 3nd ed. ed. Cincinnati, OH: Music Teachers National Association; 1996.
Rec #: 162
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $22.50 members / $27.00 nonmember
Abstract:
This book contains detailed evaluations of music instruction programs. A quick reference guide makes it even easier to find programs that address a particular subject matter or skill level.
Music Notes Reference Cards. Petaluma, CA: Castalia Publications; 1993.
Rec #: 211
Call Number: Updated 1996; information provided by publisher.
Notes: Cost: $7.95 per set
Abstract:
These 8.5" x 11" heavy duty laminated cards let you take the answers with you. The Table of Keys and the Chord and Scale Tables are the definitive charting, transposing and theory tools for all musicians, no matter which instrument they play. Perfect for all songwriters, composers, band leaders, teachers and students.
Music Power Posters. Petaluma, CA: Castalia Publications; 1993.
Rec #: 212
Call Number: Updated 1996; information provided by publisher
Notes: Cost: $7.95 each; laminated: $15.95 each; Circle of Fifths poster: $5.95 regular and $11.95 laminated
Abstract:
These posters are the most comprehensive music resources available in any format and have become classics and renowned for showing musicians how to understand and apply the principles of harmony even if they don't read music. Posters include: Guitar poster; Keyboard poster; Saxaphone poster; Electric Bass poster; MIDI poster; Rock Guitar poster; Circle of Fifths poster.
Narmour, Eugene. The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model. Chicago, IL: University of Chicago Press c1992486 pages, 208 musical examples. ISBN: 0-226-56845-8.
Rec #: 67
Call Number: Updated 1998; information obtained from publisher.
Notes: Cost: $66.00
Abstract:
A comprehensive theory of melodic syntax that explains cognitive relations between melodic tones at their most basic level. Expanding on the theories of Leonard Meyer, the author develops one parsimonious, scalar set of rules modelling implication and realization in all the primary parameters of music. Through an elaborate and original analytic symbology, he shows that a kind of "genetic code" governs the perceptionand cognition of melody. The theoretical constants he uses are context-free and therefore applicable to all styles of melodies. He places considerable emphasis on the listener's cognitive performance. He concentrates on low-level, note-to-note relations. The result is a highly generalized theory useful in researching all manner of psychological and music theoretic problems concerned with the analysis and cognition of melody.
Narmour, Eugene. The Analysis and Cognition of Melodic Complexity: The Implication-Realization Model. Chicago, IL: University of Chicago Press; 1992;xii, 432 pages, 279 musical exmaples and drawings. ISBN: 0-226-56842-3.
Rec #: 68
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $57.50
Abstract:
This work continues to develop the unique theories of musical perception and cognition first set forth in The Analysis and Cognition of Basic Melodic Structure.s The two books together constitute the first comprehensive theory of melody founded on psychological research. After summarizing the principles and methodology described in his earlier study, Narmour here uses numerous analyses to show how 16 archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways. He then explains and speculates on the cognitive mechanisms by which listeners assimilate and ultimately encode these complex melodic structures. Of particular importance to music theorists and historians is his argument that melodic analysis and formal analuysis, though often treated separately, are in fact indissolubly linked.
New Grove Dictionary [Web Page]. Available at: http://www.grovemusic.com/grovemusic/home/index.html.
Rec #: 1210
Call Number: updated 2002; information provided by email
Oppenheimer and Petersen. Tech Terms: A Practical Dictionary for Audio and Music Production. Emeryville, CA: Cardinal Business Media Inc.; 1993.
Rec #: 201
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $9.95
Abstract:
Keep this handy guide near your mixing console or musical instrument for precise, plain-English definition of MIDI terminology, synth and sampler jargon, computer buzzwords, and audio abbreviations. Written by the senior editors of Mix and Electronic Musician magazines, this book explains 300 of the most commonly misunderstood words and phrases in the field of studio recording, digital audio and electronic music.
Pellman, Samuel. An Introduction to the Creation of Electro-Acoustic Music.
Rec #: 1240
Call Number: updated 2002; informaton provided by email newsletter
Abstract:
An Introduction to the Creation of Electro-Acoustic Music covers the physical aspects of sound, digital audio, sampling (multisampling, looping, etc.) and synthesis.
Peters, G. David and Eddins, John. A Planning Guide to Successful Computer Instruction. Champaign, IL: Electronic Courseware Systems Inc.; 1996; ISBN: 0-942132-00-9.
Rec #: 181
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $22.95
Abstract:
A guide for persons and institutions considering the implementation of a computer instruction site. The contents include an introduction to computer hardware, selection of computer hardware and courseware, computer instruction site development and management, and sources of hardware and software for educational use. A notebook format is used so that additional materials can be added for special seminars and workshops.
Peterson, George. Modular Digital Multitracks: The Power User's Guide . Emeryville, CA: Cardinal Business Media Inc.; 1994; ISBN: 0-918371-03-1.
Rec #: 161
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $29.95
Abstract:
If you've got one of the new modular digital recorders or have ever thought about buying one, you need this book. Petersen explores these revolutionary machines, tells you how they work, and shows you how to operate them. Inside you'll find unbiased evaluationsof the units and various peripherals; inside tips on connnecting and operating these systems;advanced techniques for synchronization, eduting, and mixxing; features that aren't mentioned in the manufacturer's literature; and secret commands and undocumented error messages. And the book pays for itself with instructions on making your own cables and snakes.
Peterson, Larry W. Videodisc Opera Index Series. Newark, DE: University of Delaware c19882 vols; Vol 1- 53 pages, Vol 2 - 48 pages.
Rec #: 204
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $12.00 each volume
Abstract:
The Videodisc Opera Index Series includes 2 volumes: (1) index and materials for the Metropolitan Opera production of La Boheme, and (2) index and materials for the Ingmar Bergman movie version of the Magic Flute.
Pohlmann, Ken C. The Compact Disc: A Handbook of Theory and Use. 2nd ed ed. Madison, WI: A-R Editions, Inc.; 1993;(Strawn, John. The Computer Music and Digital Audio Series; v. 5). ISBN: 0-89579-301-6 hardcover; 0-89579-300-8 softcover.
Rec #: 82
Call Number: Updated 1998; information obtained from publisher.
Notes: Cost: $34.95 softcover
Abstract:
The compact disc is the most exciting audio invention since Edison's tinfoil cylinder recorder. Ken Pohlman has completely updated his popular guide to CD technology -- with new sections on optical and electronic principles underlying the CD format as well as the latest details on new CD player designs. For audio and multi-media enthusiasts, CD owners, recording engineers and manufacturers, The Compact Disc Handbook remains the most comprehensive and detailed reference book on this technology.
Pressing, Jeff. Synthesizer Performance and Real-Time Techniques. Madison, WI: A-R Editions Inc.462 pages(Strawn, John. The Computer Music and Digital Audio Series; v. 8). ISBN: 0-89579-257-5.
Rec #: 196
Call Number: Updated 1997; information obtained from publisher.
Notes: Cost: $49.95
Abstract:
In this book, Mr. Pressing presents a complete orientation to synthesized music. He combines technical tips with instruction on live performance across many musical styles. Terminology is standardized and explained. Information can be widely applied since it is not specific to any manufacturer. Topics include: The synthesizer as an instrument; MIDI; synthesis, sampling, and software; synthesizer technique; performance configurations and practicalities; sound and instrument limitation; synthesizer ensembles and repertoire; non-keyboard controllers; interactive performance systems.
Publications of the Center for the History of Music Theory and Literature [Web Page]. Available at: http://www.music.indiana.edu/chmtl/Pubs.html.
Rec #: 1257
Call Number: updated 2002; information obtained from the CHMTL newsletter by Indiana University School of Music
Abstract:
PCHMTL is a new series of individual monographs, catalogues, and bibliographies pertaining to the Center's broad areas of interest and its specific projects.
Purse, Bill. The Finale Primer: Mastering the Art of Music Notation with Finale 97. San Francisco, CA: Miller Freeman Books; 1998;softcover, 218 pages. ISBN: 0-87930-539-8.
Rec #: 112
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $22.95
Abstract:
This is the first easy-to-use guide to understanding and using Coda Finale, the leading software program for music notation. It provides a solid foundation plus exercise drills for maximizing the benefits of Finale's invaluable capability to edit, reformat, and reorganize musical material. Covers Finale 97 for Macintosh and Windows.
Roads, Curtis, editor. Composers and the Computer. Madison, WI: A-R Editions Inc; 1985;201 pages(Strawn, John. The Computer Music and Digital Audio Series; v. 2). ISBN: 0-86576-085-3.
Rec #: 83
Call Number: Updated 1998; information obtained from publisher.
Notes: Cost: $27.95 hardcover
Abstract:
Nine lively essays and interviews cover the aesthetic issues and compositional techniques of computer music as seen by its practicioners. Subjects covered include the use of sound synthesis techniques, interactive composition in performance, algorithmic composition, aesthetic and philosophical issues, musical setting of text, and problems remaining in present-day computer music.
Rothstein, Joseph. MIDI: A Comprehensive Introduction. Madison, WI: A-R Editions Inc.250 pages(Strawn, John. The Computer Music and Digital Audio Series; v. 7). ISBN: 0-89579-282-6.
Rec #: 149
Call Number: Updated 1997; information obtained from publisher.
Notes: Cost: $27.95 (softcover)
Abstract:
Wouldn't it be great if there ere one book where you could look up anything about MIDI and find clear, practical and complete answers? Your search is over, because her's everything from a picture of a MIDI cable to the internal structure of MIDI files. MIDI: A Comprehensive Introduction provides a practical guide on the basic principles of MIDI, including how to choose gear and software, synchronization and much more.
Rudolph, Thomas. Teaching Music with Technology. Champaign, IL: Electronic Courseware Systems Inc. (distributor); 1996.
Rec #: 200
Call Number: Updated 1998; information provided by distributor
Notes: Cost: $19.95
Abstract:
Beginning with overhead projector and ending with multimedia and MIDI, this book is a guide to using technology in the music classroom. Must reading for any music educator who hopes to make sense of the vast technological changes that are taking place in education today.
Russ, Martin. Sound Synthesis and Sampling.
Rec #: 1241
Call Number: updated 2002; information provided by email newsletter
Schaffer, John Wm and McGee, Deron. Knowledge-Based Programming for Music Research. Madison, WI: A-R Editions Inc.; 1998; ISBN: 0-89579-378-4.
Rec #: 135
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $49.95
Abstract:
In this book, Schaffer and McGee explore expert systems for applications in artificial intelligence (AI). The text concerns (1) basic principles for knowledge-based programming, (2) concepts and strategies for programming these systems, (3) a "universal data" model for music analysis, and (4) examples that concern specific aspects of design and application. The authors also investigate Prolog (programming in logic), one of the widely used computer languages for AI, and base some of their applications on the recent implication-based theories of Eugene Narmour.
The text is designed for musicians at various levels and could be used in courses on computer-music programming. Parts of the book have been successfully used in courses on computer prgramming for music research, with which the authors have direct experience. The text includes extensive examples of code for use in individual Proleg allpications and a comprehensive bibliography.
Schlesinger. Insider's Guides to Casio CZ Synthesizers. Van Nuys, CA: Alfred Publishing Co. Inc.
Rec #: 128
Call Number: Updated 1997; information obtained from publisher.
Abstract:
A practical "hands-on" guide to programming high quality sounds on the Casio CZ1, 101, 1000, 3000, and 5000 synthesizers by one of the foremost authorities on CZ programming. It provides an excellent understanding of how the CZ synthesizer generates sounds an the necessary information for creating musically satisfying patches.
Sebesky, Don, editor. Contemporary Arranger. rev. ed. Van Nuys, CA: Alfred Publishing Co. Inc.; 1991;260 pages. ISBN: 0-88284-485-7.
Rec #: 90
Call Number: updated 1997; information obtained from publisher
Notes: Cost: $39.95
Abstract:
Learn notation and basics of arranging, the complete ranges of instruments, their respective strengths and weaknesses, and their effective interactions and combinations within and between sections. Includes coverage of voices, melodic considerations and other general advice for beginning and intermediate composers.
Selfridge-Field, Eleanor and Correia, Edmund Jr. Musical Information in Musicology and Desktop Publishing. Menlo Park, CA: Center for Computer Assisted Research in the Humanities; 1994; ISBN: 0-936943-09-2.
Rec #: 172
Call Number: Updated 1996; information obtained from publisher
Notes: Cost: $15.00
Abstract:
75 musical examples from Vols 1-9 of Computing in Musicology have been collected and annotated in this publication. This work will be included on a CD-ROM publication forthcoming from the Institute of Electrical and Electronic Engineers Computer Society Task Force on Computer-Generated Music. The pre-print is available from CCARH.
Stark, Scott Hunter. Live Sound Reinforcement. Emeryville, CA: Cardinal Business Media Inc.; 1996.
Rec #: 139
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $29.95
Abstract:
The reprint of this classic textbook is new from MixBooks. Its simple language, detailed illustrations, and concrete examples convey the fundamentals of sound reinforcement theory in an intelligent and intelligible manner, making it an invaluable resource for aspiring live sound technicians and musicians alike. Written for novice to intermediate level users, it outlines all aspects of P.A. system operation and commonly encountered sound system design concern, with in-depth discussions of microphones, speaker systems, equalizers, mixers, signal processors, crossovers, amplifiers, system wiring and interfaces, indoor and outdoor sound considerations, and psychoacoustics.
Strawn, John, editor. Digital Audio Engineering: An Anthology. Madison, WI: A-R Editions, Inc.; 1985;144 pages(Strawn, John. The Computer Music and Digital Audio Series; v. 3). ISBN: 0-86576-087-X.
Rec #: 100
Call Number: Updated 1998; information obtained from publisher.
Notes: Cost: $29.95
Abstract:
Covering theoretical basics as well asthorny practical problems, this book provides a historical overview of digital technology in the early 1980s. It includes a unified view of the hardware design behind digital audio recording, playback, and synthesizers.
Trubitt, David Rudy, editor. Concert Sound: Tours, Techniques & Technology. Emeryville, CA: Cardinal Business Media Inc.; 1993;180 pp.
Rec #: 88
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $24.95
Abstract:
Go behind the boards with today's top touring acts and see how the pros run sound for live shows. Concert Sound combines exclusive coverage of 24 major tours with practical chapters on sound-reinfircement techniques, the live-sound business, safety issues and new technological developments. Profiles tours include U2 "Zoo TV," the Rolling Stones, Garth Brooks, Genesis, k.d. lang, Van Halen, AC/DC, and Reba McEntire. Special sections on monitor mixing, drum miking, noise regulations, and computer sontrol of sound systems make Concert Sound a unique look into the elite world of professional sound reinforcement.
Trubitt, David Rudy, editor. Making Music with Your Computer. Emeryville, CA: Cardinal Business Media Inc.; 1993;128 pp.
Rec #: 144
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $17.95
Abstract:
Whether you're a computer user entering the world of music and sound or a musician searching for the right computer, this book will bring you up to speed and help you get the most out of today's electronic music technology. You'll discover the many ways computers can contribute to the creative process and get tips on selecting the right programs and gear for your needs. Topics such as MIDI sequencing, music notation, hard disk recording, and desktop multimedia are explained in clear, easy-to-understand terms. With a directory of music hardware and software manufacturers, plus an extensive glossary, this book will guide you through the terminology and technology so you can ficus on having fun making music.
Vail, Mark. Vintage Synthesizers. San Francisco, CA: Miller Freeman Books; 1993;299 pages, 25 color photos, 180 B&W photos. ISBN: 0-87930-275-5.
Rec #: 205
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $22.95
Abstract:
Focuses on the modern history (1962-1992) of the electronic synthesizer, including in-depth interviews with pioneering synth designers and users, performance techniques, buying tips, and production and pricing information.
Valenzuela, Jose. Audio Digital - Conceptos Basicos y Applicaciones. San Francisco, CA: Miller Freeman Books; 1998; Softcover, 120 pages. ISBN: 0-87930-430-8.
Rec #: 74
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $24.95
Abstract:
Spanish- Language guide to digital recording technology. Topics include ampling, MIDI, digital audio workstations, automation, DSP, hard-disk recording, synchronization, ADC/DAC and others.
Valenzuela, Jose. Descubriendo MIDI. San Francisco, CA: Miller Freeman Books; 1998;Softcover, 120 pages, 115 illustrations. ISBN: 0-87930-373-5.
Rec #: 96
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $19.95
Abstract:
Spanish languaeguide to MIDI and electronic music technology. Fully illustrated, with a glossary including Spanish and English translations of specialized MIDI terms.
Valenzuela, Jose. Diccionario Ilustrado de Musica Electronica. San Francisco, CA: Miller Freeman Books; 1998;Softcover, 180 pages. ISBN: 0-87930-431-6.
Rec #: 97
Call Number: Updated 1998; information provided by publisher
Notes: Cost: $16.95
Abstract:
English to Spanish translations and definitions for terms used in the electronic music and computer world. Includes terminology used in Spain and Latin America. Includes photographs and graphs/diagrams.
Waugh, Ian. Making Music with Digital Audio: Cimino Publishing Group; 1997; c1998. ISBN: 1878427563.
Rec #: 1238
Call Number: updated 2002; imformation provdied by email newsletter
Notes: Cost (single): $17.95
Abstract:
Waugh explains all aspects of the subject from digital audio basics to putting together a systerm to suit the user's music requirements. The book explains exactly what you need to know about: Sound and digital audio; Basic digital recording principles; Sample rates and resolutions; Consumer sound cards; Dedicated digital audio cards. On a practical level the user will learn about, sample editing, digital FX processing, integrating MIDI and digital audio, using sample CDs, mastering to DAT and direct to CD, digtial audio and multimedia.
Whitsett, Tim. Music Publishing: The Real Road to Music Business Success. 4th ed. ed. Emeryville, CA: Cardinal Business Media Inc.; 1990;208 pp.
Rec #: 169
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $49.95
Abstract:
The definitive guide for people starting or operating their own music publishing company. Learn how music publishers work, what it takes to set up your business, how to build your catalog, and how to market your songs. Features chapters on songwriting contracts, co-publishing, performing rights socities, and administering a publishing company.
Wick, Robert L. Electronic and Computer Music: An Annotated Bibliography. Westport, CT: Greenwood Publishing Group Inc.; 1997;216 pages. ISBN: 0-313-30076-3.
Rec #: 107
Call Number: Updated 1997; information provided by publisher
Notes: Cost: $79.50
Abstract:
A handy desk refernce that presents a core bibliography for study, composition, and performance in a contemporary field that is currently merging the concepts of "electronic" nd "computer."
Wilkinson, Scott. Anatomy of a Home Studio.
Rec #: 1239
Call Number: updated 2002; information provided by email newsletter
Abstract:
Anatomy of a Home Studio covers areas such as MIDI, digital audio, synthesis, DSP, Mixing, and recording techniques.
Williams, David B. and Webster, Peter. Expeiencing Music Technology. New York, NY: Schirmer Books; 1996. ISBN: 0-02-872914-5.
Rec #: 110
Call Number: Updated 1996; information provided by publisher
Notes: Cost: $45.00
Abstract:
Desinged as a comprehensive introduction to the field of music technology, this combination text and reference guide presents software, data and hardware in a "real-world" context . It provides ansers to musician's questions about sound generation and creation, MIDI, CAI, digital recording, editing, sampling, sound storage, and desktop publishing. Those indivudals interested in using the computer to arrange or compose music, or in setting up a music technology studio, will also delight in this excellent text. In addition to its role as a text for music majors, this book functions splendidly as a practical reference source in libraries.
The supplemental CD-ROM runs on both IBM and Macintosh platforms, and features hands-on exercises as well as shareware and demostration versions of commercial computer programs for every subject covered in the text.
Winsor, Phil, University of North Texas. Automated Music Composition. Denton, TX: University of North Texas Press312 pages, size 7X10. ISBN: 0-929398-38-6.
Rec #: 76
Call Number: Updated 2002; information provided by publisher
Notes: Cost: $24.95
Abstract:
The book contains BASIC language tutorials for beginning programmers; an overview of computer music applications; a systematic exposition of the principles and techniques of automated music composition; insights into contemporary trends in music and computerized sound; principles of MIDI-interfaced computer/synthesizers; a beginning course in music composition, showing in detail how to create a variety of sounds with the computer; step-by-step instructions for using plug-in-and-play programs; interactive MIDI listings ready for immediate use; over 50 BASIC routines for automated composition adapted for MIDI sequencers and synthesizers; and numerous examples and programming ideas.
Winsor, Phil. Computer Composer's Toolbox: Ingram Book Company. ISBN: 1-57441-115-2.
Rec #: 1157
Call Number: updated 2002; information from editor
Notes: Cost: $24.95
Abstract:
Music & Sound Output said Computer Composer's Toolbox was "well-organized...no nonsense...an invaluable aid fro the serious musician."
Winsor, Phil. Computer Music in Composition: Ingram Book Company. ISBN: 1-57441-116-0.
Rec #: 1156
Call Number: updated 2002; information provided by editor
Notes: cost: $27.95 (Print on Demand only)
Young, Gayle. The Sackbut Blues. Chicago, IL: University of Chicago Press c1989288 pages, 49 halftones, 7 line drawings. ISBN: 0-660-12006-2.
Rec #: 186
Call Number: Updated 2002; information provided by publisher
Notes: Cost: $29.95 CAN
Abstract:
Hugh LeCaine (1914-1977) invented more than 20 early electronic instruments and used them to compose. The engaging story of this remarkable pioneer is liberally illustrated with photographs of LeCaine's instruments.