ATMI 2005 Conference Schedule

Daily Schedule at a Glance

[complete program (PDF)]

 

Thursday, November 3, St Charles East and West

8:00

E

James A. Grymes

Using Classroom Response Systems in Music Classes

8:30

E

Don Bowyer

Creating Computer-Assisted Instruction in Music for the PDA

9:15

E

Charles Menoche

Out in the Wild with the Music Pad Pro

10:15

E

Timothy D. Edwards

New Software for Rhythmic Dictation and Sightreading

11:00

E

Frazier, Gonko, Johnson

Digital Video Basics for Motion Picture Composers

12:00

 

 

LUNCH

1:00

E

Eugenie Burkett et al.

Panel: Online Education: Bonanza or Boondoggle?

2:30

W

Frank Clark

Steiner MIDI EVI and the Realization of Expressive Potential

3:00

W

James Bohn

Using CSound in Live Performance

4:00

W

Steve Knowles

Sponsor: OASYS: Korg’s Open Architecture Synthesis Studio

7:30

E

J. Jackson, J. Johansson

Performance: The 50% Quartet

8:00

E

Anthony Cornicello

Performance: “EEE!” (Eastern’s Electronic Ensemble)

 

 

Friday, November 4, St Charles East and West

8:00

E

R. Mazurek, F. Schmidt

Music and Animation

8:00

W

Richard Repp

Music Professionals’ Judgment of Recorded Music Quality

8:30

E

A. Jaffe, J. Jackson

Bridge: The Evolution of a Multimedia Work

8:30

W

Susan Piagentini

Can Your Theory Students Run on Autopilot?

9:15

E

Mike Nord

Crossing Borders: Multi-dimensional Media Collaboration

9:15

W

Cynthia I. Gonzales

PDQ Bach vs. iMovies: Authentic Learning and Assessment

10:00

L

Blombach, Arenson, Williams

ATMI Plenary: Vignettes from ATMI’s Thirty Years: The Little Organization That Could!

11:15

E

John Mallia

Real vs. Virtual Space in the Teaching of Multimedia

11:15

W

Lee Whitmore

Sponsor: GarageBand Projects with Third-Party Instruments

12:00

 

 

LUNCH

1:00

E

P. Webster, D. Williams

Student-Constructed Learning in Music Tech Courses (pt. 1)

2:00

E

Sanford Hinderlie

The University Music Technology Lab

2:15

W

Scott D. Lipscomb

Extending Flash with ActionScript 2.0 Classes

2:45

E

Jeremy Van Buskirk

Bridging the Gap: Tutorials to Compositions in MAX/MSP

3:00

W

Stefani Langol

Electronic Portfolio Development for Music Education

4:00

E

Allison A. Johnson

ePoster: Coding Sound, Decoding Gesture

4:00

E

Jason Kissinger

ePoster: Generate Fundamentals Worksheets/Tests (Director)

4:00

E

M. Neal, P. Gray

ePoster: Multimedia Presentation of Analyses of Pierrot lunaire

 

Saturday, November 5, St Charles East and West

8:00

E

S. Hagen, C. Benson

Eye-Guidance in Computer-Aided Sight Playing

8:00

W

Judith Bowman

High Touch in High Tech Classes

8:30

E

Martha F. Hilley

Using Director in the Group Piano Classroom

8:45

W

E. Chong, W. M. Soo

Integrative and Collaborative Music Learning Using Blogs

9:15

W

J. Dorfman, M. Jacoby

MIDI Isn’t Dead, It’s Just Gone Loopy

10:00

L

Chris Waterman

Robert Trotter Lecture

11:15

E

A. C. Himes, R. Willey

Technology Facility: Redesigning the Music Ed Curriculum

11:15

W

Lee Whitmore

Sponsor: Teach with Virtual Instruments and MIDI Controllers

12:00

 

 

LUNCH

1:00

E

P. Webster, D. Williams

Student-Constructed Learning in Music Tech Courses (pt. 2)

2:00

E

Dan Hosken

Designing Sound for Interactive Dance Performance

2:00

W

J. Kent Williams

Modeling Tonal Tension and Attraction with Multimedia

2:30

E

Kevin Austin

A Pedagogical Model for Electroacoustic Studies (EaSt)

3:00

W

Raymond Riley

Introduction to Apple’s Logic Pro and Logic Express

3:15

E

Lynn Emberg Purse

Developing a Pedagogy of Electronic Orchestration

4:45