Creative Pedagogies/Technological
Tools
Bridging
the Gap: From Tutorials to Finished Compositions in MAX/MSP 31
Coding
Sound, Decoding Gesture: Relationship betw. Interactive Arts Technology / Sign
Language Research 21
Constructing
Music: “Musikbaukasten”: A Music Discovery Tool for Children 20
Cross-Platform
Includes the PDA: Design Considerations for Computer-Assisted Instruction . . .
for the PDA 7
Developing
a Pedagogy of Electronic Orchestration: Making Sense of Infinite Choices 29
Doctum:
Software Prototype, Created in Director, for Generating Fundamentals Worksheets
and Tests 22
Dr.
Trombone: The Development of a Computerized Musical Training Aid 5
Electronic
Portfolio Development for Music Education 23
GarageBand
Projects with Third-Party Instruments (sponsor session) 33
Integrative
and Collaborative Music Learning Using Blogs 9
Introduction
to Apple’s Logic Pro and Logic Express 31
MIDI
Isn’t Dead, It’s Just Gone Loopy 11
OASYS—An
Intimate Overview of Korg’s Open Architecture Synthesis Studio (sponsor
session) 23
Out
in the Wild with the Music Pad Pro Digital Sheet Music Viewer: What Is It, Does
it Work . . . ? 26
PDQ
Bach vs. iMovies: Authentic Learning and Assessment 14
Rhythm
Tools: New Software for Rhythmic Dictation and Sightreading 12
Teaching
with Virtual Instruments and MIDI Controllers (sponsor session) 34
University
Music Technology Lab: Basic to Advanced Workstations and the Latest Presentation
Equipment 17
Using
Classroom Response Systems to Enrich Student Involvement in Music Appreciation
Classes 15
Using
Director in the Group Piano Classroom 16
Digital Audio
Music
Professionals’ Judgment of the Quality of Recorded Music 30
Multimedia
Audio
in Media: Digital Video Basics for Motion Picture Composers 13
Bridge:
The Evolution of a Multimedia Work 20
Exiting
the Lab: Real vs. Virtual Space in the Teaching of Multimedia 25
Modeling
Tonal Tension and Attraction with Time-Based Multimedia 34
Multimedia
Presentation of Analyses of Three Melodramas in Arnold Schoenberg’s Pierrot lunaire, Op. 21 27
Object-oriented
Design: Extending Flash with ActionScript 2.0 Classes 24
Music Technology
Curricular/Programmatic Interests
Analysis
of Electroacoustics: A Pedagogical Model for Electroacoustic Studies (EaSt) 5
Technology
Strategies for Teaching Music Theory 32
Technology
Teaching Facility: Redesigning Music Ed Curriculum to Incorporate Computing and
Multimedia 17
Underware:
Strategies for Enabling Student-Constructed Learning in Music Technology
Courses 33
Online Music Instruction
Can
Your Theory Students Run on Autopilot? Online Basic Skills Tests to Bring Them
Up to Speed 29
High Touch in High Tech Classes: The Human Element in Online Learning 7
Online
Education: Bonanza or Boondoggle? (panel) 8
Performance
50%
Quartet: A Jazz Duo Performance With MIDI Accompaniment 19
“EEE!”
(Eastern’s Electronic Ensemble) 10
Motion
in Sound: Some Thoughts on Designing Sound for Interactive Dance Performance 18
Steiner
MIDI EVI and the Realization of Expressive Potential 10
Using
CSound in Live Performance 6
Performance
/ Multimedia
Crossing Borders: Multi-dimensional Media
Collaboration 28
Plenary
Vignettes
from ATMI’s Thirty Years: The Little Organization That Could! 1
Research on the Effectiveness of
Music Technology
Preference
for Eye Guidance in Computer-Aided Sight Playing at the Piano 15
Student-Created Projects
Music
and Animation 26